{"id":374,"date":"2015-05-26T16:33:39","date_gmt":"2015-05-26T14:33:39","guid":{"rendered":"http:\/\/www.gabriele-prill.de\/?page_id=374"},"modified":"2024-04-12T15:50:04","modified_gmt":"2024-04-12T13:50:04","slug":"solo-exhibition","status":"publish","type":"page","link":"https:\/\/gabriele-prill.de\/?page_id=374","title":{"rendered":"SOLO EXHIBITIONS"},"content":{"rendered":"<p><strong>Einzelaustellungen <\/strong>(Auszug)<\/p>\n<p><span style=\"font-size: 10pt;\">2023-24 &nbsp;&#8222;Life Is better than you think\u2026 &nbsp; &nbsp; &#8230; maybe pink!\u201c, Kukuk, Kultur an der Grenze<\/span><span style=\"font-size: 10pt;\"><br \/>\n2017&nbsp; \u201eSPREAD\u201c, Produzentengalerie <a href=\"http:\/\/www.artikel-5.com\">www.artikel-5.com<\/a><br \/>\n2015&nbsp; &#8222;The Signs of Time&#8220;<strong>, <\/strong>Telefonseelsorge Aachen-Eifel<\/span><br \/>\n<span style=\"font-size: small;\">2004&nbsp; ROOM FULL\u201c, show at home, Aachen<\/span><br \/>\n<span style=\"font-size: small;\">2001&nbsp; \u201eStreet scenes\u201c, Jakobshof, Aachen<\/span><br \/>\n<span style=\"font-size: small;\">2000&nbsp; \u201eStreet scenes\u201c, Industrie- und Handelskammer Aachen<\/span><br \/>\n<span style=\"font-size: small;\">1995&nbsp; Atelier Conradus, Aachen<\/span><br \/>\n<span style=\"font-size: small;\">1995&nbsp; \u201eStreet Life in Los Angeles\u201c, Talbahnhof, Eschweiler<\/span><br \/>\n<span style=\"font-size: small;\">1994&nbsp; \u201eAu\u00dfen und Innen\u201c, Gallery Hello Artichoke, Los Angeles<\/span><br \/>\n<span style=\"font-size: small;\">1993&nbsp; \u201eWatercolor\u201c, Pfarrheim St. Anna, Wahlheim<\/span><br \/>\n<span style=\"font-size: small;\">1993&nbsp; \u201eStreet Scenes\u201c, Gallery Hello Artichoke, Los Angeles<\/span><br \/>\n<span style=\"font-size: small;\">1993&nbsp; Watercolor\u201c, La Luna, Los Angeles<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Einzelaustellungen (Auszug) 2023-24 &nbsp;&#8222;Life Is better than you think\u2026 &nbsp; &nbsp; &#8230; maybe pink!\u201c, Kukuk, Kultur an der Grenze 2017&nbsp; [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-374","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/gabriele-prill.de\/index.php?rest_route=\/wp\/v2\/pages\/374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gabriele-prill.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gabriele-prill.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gabriele-prill.de\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/gabriele-prill.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=374"}],"version-history":[{"count":7,"href":"https:\/\/gabriele-prill.de\/index.php?rest_route=\/wp\/v2\/pages\/374\/revisions"}],"predecessor-version":[{"id":1655,"href":"https:\/\/gabriele-prill.de\/index.php?rest_route=\/wp\/v2\/pages\/374\/revisions\/1655"}],"wp:attachment":[{"href":"https:\/\/gabriele-prill.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}